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I grew up in a large Catholic family in Felling-on-Tyne: 4 sisters and one brother. I always knew I'd be a writer - I wrote stories and stitched them into little books. I had an uncle who was a printer, and in his printing shop I learned my love of black words on white pages. I loved our local library and dreamed of seeing books with my name on the cover on its shelves. I also dreamed of playing for Newcastle United (and I still wait for the call!). There was much joy in my childhood, but also much sadness: a baby sister died when I was 7; my dad died when we were all still young; my mum was always seriously ill with arthritis. But it was a childhood, like all childhoods, that provided everything a writer needs, and it illuminates and informs everything I write.
After school, I read English and American Literature. When I graduated I became a teacher - long holidays, short days, just perfect for a writer. After 5 years, I gave up the job and lived in a commune in rural Norfolk where I wrote and met my partner Sara Jane. I wrote a long adult novel that was rejected by every UK publisher. I had two collections of short stories published by the tiny IRON Press. I started another adult novel, put it aside, and suddenly, out of the blue, I found myself writing Skellig. It was as if the story had been waiting for me, and once I began, it seemed to write itself. I hadn't expected to write a children's novel, but in some way it was the natural outcome of everything I'd done before, and was the stepping-stone to everything I've done since. I now live in Northumberland with Sara Jane and our daughter Freya. I'm a full-time writer. Sara Jane makes ceramics, Freya goes to school.
For years, I was hardly published and hardly anyone knew about me apart from a handful of keen fans. And I made just about no money at all from writing. That didn't really matter to me. I'd keep on writing, no matter what. Then I wrote Skellig and everything changed. I began to sell lots of books, to be translated into many languages, to travel, to win lots of prizes. I've written a number of novels after Skellig, including Kit's Wilderness, The Fire-Eaters and Clay. There have been stage versions of the novels, and films and an opera are on their way. I used to write in the attic at home, but there were lots of distractions - especially from email and telephone. So last year, I had a cabin built at the bottom of the garden. It's very nice, blue-grey and surrounded by trees. I have a radiator to keep me warm and I have a tap and a kettle for making tea. Every morning - when I'm at home and not travelling or making school visits or talking to people on the phone or answering emails - I carry my laptop down to the cabin and I set to work.
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